(Montreal) Department of Culture and representatives of artists welcome acceptance Online Streaming ActThey will closely follow the design of platforms that integrate this long-awaited broadcast reform, such as Netflix, YouTube and Spotify.
Following a long political soap opera, the law received royal assent on Thursday, with many cultural organizations hailing it as “a historic moment”.
The Quebec Association of the Record, Entertainment and Video Industry (ADISQ) recognized C-11 as “a great day for the music community.”
“With the adoption of the bill, an important step has been taken to establish a more equitable system, which will contribute to the better influence of our music, which is experiencing a vital need”, the president of ADISQ underlined in the press release. Jean Francois Renaud.
ADISQ highlighted two “equally important” steps ahead: the issuance of an order providing instructions for implementing reform of the broadcasting law and the implementation of the law by the Canadian Radio-television and Telecommunications Commission (CRTC).
Now that T Online Streaming Act If accepted, the government will issue general directives to the CRTC, which will be responsible for enforcing the law, Canadian Heritage recalled Thursday.
A draft of this strategic direction will be published in the Canada Gazette for public consultation and input from stakeholders such as stakeholders, artists, businesses, digital creators and Canadians.
The CRTC indicated in a press release that it “can begin building the future broadcast system now.”
“We will share our detailed plan and launch our first public consultations soon,” it said.
Respect to computer by web giants
The Professional Society of Authors and Composers of Quebec (SPACQ) spoke of “an important step towards recognizing and promoting the work of music creators” and they believe they will benefit from better managing the use of their works. Fair and equitable pay.
SPACQ believes Bill C-11 will ensure the protection of copyright in an “increasingly complex and evolving environment,” particularly in the use of online music and the management of digital rights.
In implementing the law, international digital platforms are expected to respect the Canadian broadcasting framework, contribute to existing music support funds, display music from here and cooperate by sharing information with the CRTC.
Following the Instructional Order, we hope to achieve technical neutrality and rational and democratic deliberations before the CRTC.
Ariane Charbonneau, executive director of SPACQ
Speaking of a “historic moment”, the Association Québécois de la Production Musicale (AQPM) also points out that the attention of all stakeholders has now turned to the implementation of this new legislative structure.
“Representatives of Canadian heritage have highlighted the significant spinoffs that will result from this new regulatory framework to the cultural community; I call on them to ensure that the directives issued to the CRTC carry out this commitment,” confirmed Hélène Messier, president and general manager of the Producers Guild.
“To ensure the sustainability of the national industry, it is essential that all broadcasters contribute significantly to the creation, production, distribution and promotion of Canadian audiovisual content,” he added.
Movement and Media for Local Voices in Public Broadcasting Les FRIENDS also pointed out that “there is still work to be done before scrolling through the credits of Bill C-11.”
According to the organization, the law “sets two different standards for the use of creative resources from here on out: one standard for Canadian broadcasters and one standard for foreign streaming giants.”
“That’s why Friends will work hard to ensure that the ministerial order contains final script changes that will create a fair and equitable broadcasting environment,” CEO Marla Boltman said in a statement.
Support local artists
In a joint press release, artists’ professional associations welcomed the path to “long overdue” reform.
The Union of Artists (UDA), the Association of Musicians of Quebec (GMMQ), the Association of Directors and Directors of Quebec (ARRQ) and the Association of Radio, Television and Cinema Editors (SARTEC) said they welcomed C’s adoption. 11.
“While this bill does not impose the same obligations on foreign platforms as Canadian broadcasters, such reform is important and must ensure the CRTC better supports local artists and their talent,” he said, supporting these organizations.
Likewise, Tania Kontoyanni, the UDA’s new president, said she believes the adoption “levels the playing field for web giants.”
According to Gabriel Pelletier, president of the ARRQ, the guiding principles of the law allow for the influence of Canadian culture, particularly “through the obligation to seek Canadian creative resources and through the protection and promotion of French-speaking culture. The French language throughout the country.”
“Recall the current government’s election platform pledge to reduce the share of French-language production to 40% of the CMF (Canada Media Fund) envelope. The CRTC directive should be a way to achieve this,” said Mr.
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